by Darlene L. Turner Boring dialogue kills a story. Would you agree with this statement? We’ve probably all read those scenes where two characters chat and chat and chat about nothing. Oh hum. Our attention drifts, and we think about everything we need to get done around us. Cleaning, laundry, walking the dog, washing our hair. Right? Boring dialogue sounds …
The Runaway Character
By Joni M. Fisher @authorjonimfisher Did you ever have a character demand a bigger part in the story? Luigi Pirandello wrote a play titled Six Characters in Search of an Author in which characters, who were created but never used, barge into a rehearsal and demand to be included in a production. That reality-twisting, groundbreaking play premiered in 1921. While …
Make Your Metaphors Marvelous
by Leslie DeVooght Don’t waste a chance to make your writing flourish with weak metaphors or worse, clichés. As a writer of Southern Fiction, sometimes it’s hard for me to not use one of the tried and true phrases. I mean “bless your heart” and “she’s as pretty as a peach,” will work in a pinch, and they do scream …
What on Earth is This Thing Called Deep POV?
by Linda Glaz (Linda S. Glaz Literary Agency) I hear it all the time: at conferences, on social media, and from other authors, but what is it? And why should I care? What happens when you incorporate Deep POV into your novel? The READER becomes completely immersed in the character’s point of view/voice rather than the author’s voice. So much …
Five Tips for the Tight Pacing That Will Engage Your Reader
by Allie Pleiter Every writer’s goal is to engage and enthrall their reader. We want them pulled deeply and quickly into the story so that they can’t wait to turn the page. Accomplish this, and you’ll have won a loyal fan who not only follows you to the end of your story, but eagerly await your next book. But how …
Stealing the Heart of the Reader
By Marie E. Bast @mariebast1 To steal the heart of the reader, a story must have a solid plot line and the protagonist must believe a lie about him or herself, which will cause obstacles and hinder them achieving their plot goal. This problem will become obvious at the inciting incident and first plot point. Each chapter, like a golf …
If You’re an Author, You’re Multilingual—Whether You Know it or Not
By Lana Christian How many languages do you speak? I speak English and German. English is my dominant (first) language, but sometimes German pops into my thoughts, dreams, and writing without my bidding. That can be good or bad, depending on how you look at it. My handwritten notes combine English, German, and a personal shorthand—whichever is shorter …
What If All We Had Was Dialogue?
By Cynthia Ruchti For three decades, I wrote scripts for a daily 15-minute radio broadcast. The first portion of the broadcast was a slice-of-life scene by two women walking through the kinds of things life can throw at any of us. Following that scene, a musical interlude segued into devotional thoughts related to that day’s theme. The scenes were all …
Perception, and Making It Real
By Lynn Hobbs Writing your story is just that; your story. If you are making a point using a situation as an example or attempting to show a lesson learned; readers will decide for themselves if it could be applied to their daily lives. As a Christian fiction author, writing about a fictional family, town, or one main character should …
Dialog, The Fuel Of Your Story
by Rachel Hauck I’ve written a lot about dialog over the years but it’s a topic worth repeating. Dialog. Is. Key. Talking is how we learn about people. The words they use, the tone of his or her voice, as well as interpreting someone’s body language, is how we form our opinion of people. As authors, we have to resist …
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