God’s Plan for our Writing

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Regency romance writing called me. Not the calm drawing room conversations and country walks of a Jane Austen, but the swashbuckling romance such as Sylvester or The Wicked Uncle by Georgette Heyer, or even better, the “Sanguinet” series by Patricia Veryan. I wanted spies and dead bodies amidst the glitter of the haut-ton. Who needed to find God’s Grace more …

Expect an Adventure

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Writing is a tough profession. The competition in today’s publishing world makes the strongest writers think twice about their commitment to excellence. Those of us who are lured by the magnificence of story are committed to creating a world where our readers slip into the shoes of our characters and are whisked away to an amazing thrill filled with uncertainty. …

Start Making Your List

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By Kathy Harris We unpublished writers are always looking for ways to discern how far we are in our writing journey. One of the best guides can be found at Randy Ingermanson’s website, www.advancedfictionwriting.com/art/freshman.php. By answering only five questions you can determine, by Randy’s estimation, whether you are a freshman, sophomore, junior, or senior, with publication becoming likely in the …

Pacing–I’m Dancing as Fast as I Can

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By Margaret Daley The structure and pacing in a book is what holds the story together, moving it forward. Pacing and structure (what scenes go where) involves how you convey the characters and plot. In order to talk about pacing you also need to talk about the structure of the book. They are interwoven together. Why should a writer care …

Polishing Your Opening Chapters

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Are you headed to the ACFW conference or preparing to submit your proposal to an agent and editor? If so, you need to polish those first three chapters until they shine. The synopsis, marketing ideas, platform and bio are important, but the strength of your writing in those chapters is what makes the agent or editor keep reading and ask …

Keep Juggling – Using a Chart to Track Writing Goals

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One of the biggest surprises of being published was the juggling act. Before publication, I’d get a story idea, research it, plot it, write it, and edit it. Then I’d start my next project. After my first contract, that all changed. I’m usually doing publicity for one book, working on my publisher’s edits for another, writing a third, and plotting a fourth. …