By Tamela Hancock Murray Some authors ask me if they share too much. If you’re asking, you probably aren’t! In my opinion, most authors connect the right amount, or if anything, err on the side of not communicating enough. You might ask: Too much information? Not for me. I once heard a sermon that everyone needs to hear something eight …
Why I’m Always Open to Submissions
By Tamela Hancock Murray I’m always open to submissions and new clients. Now, does this mean I’m open to reading entire unpublished books on every and any topic? Or that I hope to sign five new clients every week? No. I still need the submissions to be marketable to the publishers I work with, and for you to want to …
Sending your Submission to an Agent
by Tamela Hancock Murray Submitting your work to an agent can be scary, but it doesn’t have to be. A few simple steps will help you gain confidence, regardless of your method. Unsolicited submission This is when you are querying several agents and you have no connection other than perhaps seeing their names on a list. I don’t recommend the …
Understanding Fiction Publisher Barriers
by Les Stobbe, Literary Agent I was 40 years old when I began acquiring fiction for Moody Press. My background included six years buying fiction and selling it in bookstores, four years of visiting Christian booksellers and interviewing them on why they were successful, and helping a fiction writer gain a publisher for a series of suspense novels. At Moody …
Should I Be Writing this Genre?
by Tamela Hancock Murray Often I talk with new authors writing in lots of genres. This is fine if it’s part of your personal writing journey and learning process. I want my authors to enjoy what they’re writing. But when you get serious about publication, know when to choose and what to choose. One mistake is to write strictly to …
When Fiction Provides Added Value
By Les Stobbe I’m constantly amazed by the fixation of fiction writers on novels, as if that is the noblest expression of the art of fiction writing. Yet there are a variety of other opportunities to employ fiction to present the life-giving message of Jesus Christ. Let me illustrate with my experiences. In my first real job in journalism I …
Twelve Tips for Maximizing Your Appointments
By Bonnie Doran It’s conference season! If you’re heading to a writer’s conference, you probably have appointments with editors, agents, or other professionals. Here are some tips for making the most of those fifteen minutes: 1. Arm yourself with business cards. They don’t need to be fancy. I suggest your name (duh), head shot, email address, and social media links, …
Be Your Agent’s Dream Client
by Greg Johnson WordServe Literary Group One thing authors wonder about is how to “behave” once they have a working relationship with a literary agent. Especially if it’s your first agent, you want to be the kind of author an agent wants to keep as a client. Agents understand that—and we want to be the kind of agent you want …
The Secret to Effective Hooks: Write Like a Journalist
by Sandra Bishop MacGregor Literary More than any other element of a pitch, a solid hook offers more opportunity for you to grab – and possibly keep — an agent or editor’s attention. Yes, hooks are hard to nail, but not impossible. Try drawing from a couple simple techniques you learned in high school journalism: Start with the Five W’s …
The Right Conference?
by Tamela Hancock Murray Steve Laube Agency As you pursue a writing career, one big question is how much time and money to devote to writers conferences. Conferences have many benefits, including the chance to meet face to face with editors and fellowship with writers. Some writers have plenty of time and money and love to attend conferences because the …
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