The Story Equation

ACFWAuthors and writing, Brainstorming, Characters, Conflict/Tension, Learning, Organization, Plots, Story Structure, tips, writing 2 Comments

By Rachel Hauck I’ve been using Susan May Warren’s Story Equation (SEQ) for building characters and working out a high-level plot for over a decade. In our early days of writing, as Susie and I talked about our craft, she brought these principles to the table and created The Story Equation. To be clear, there are many good author tools. …

Five Tips for the Tight Pacing That Will Engage Your Reader

ACFWAdvice, Authors and writing, Conflict/Tension, Dialogue, Encouragement, Friends of ACFW, Learning, Plots, Readers, Showing/Telling, tips, writing 9 Comments

by Allie Pleiter Every writer’s goal is to engage and enthrall their reader.  We want them pulled deeply and quickly into the story so that they can’t wait to turn the page.  Accomplish this, and you’ll have won a loyal fan who not only follows you to the end of your story, but eagerly await your next book. But how …

A Writer’s Perspective on the Benefits of Chaos, Bedlam and Scandal

ACFWACFW, Advice, Authors and writing, Characters, Conflict/Tension, tips, writing 9 Comments

By Roxanne Hicks When a younger writer, I hesitated to plunge my characters into perilous events. Like a doting mother, I dressed everyone in clean clothing and admonished them to stay out of the mud. Scandalous outings, unscrupulous friends, and disgusting habits were a taboo. A writing coach asked me, “Where is the excitement or conflict in your story if …

Using Foreshadowing to Increase Tension

ACFWAdvice, Authors and writing, Conflict/Tension, Outlines, Plots, Plotting/Outlines, tips, writing 4 Comments

By DiAnn Mills Foreshadowing is an ingenious literary tool that indicates something will happen in the story. It hints or suggests what is to come and becomes a promise to the reader, a promise that must be kept. Like a road sign that shows what is ahead, foreshadowing signals tension and suspense while alluding to fear, threat, humor, tragedy, or …

Seven Components Required to Create a Compelling Character

ACFWAdvice, Authors and writing, Characters, Conflict/Tension, Encouragement, Plotting/Outlines, tips, writing, writing 6 Comments

by Rachel Hauck  @RachelHauck This August I’ve been writing full time for twenty years. I quit my job—cutting our household income by two-thirds—with one little $2,500 contract and a big deposit of dreams. While other contracts followed, my books didn’t fly off the shelf, win awards, or create buzz at my publisher. In many ways, I had a wrong idea …

Boredom as Writing Inspiration

ACFWAdvice, Authors and writing, Characters, Conflict/Tension, Friends of ACFW, Learning, tips, writing 4 Comments

By JPC Allen Little did I realize when I wrote this post in March how many of us would be battling boredom in the near future. Every month on my blog, I choose some aspect about the month—a holiday or the weather—and brainstorm ideas about how to use the month as writing inspiration. March is my least favorite month. I’m …

Why Do Imperfect Characters and Story Worlds Resonate with Readers?

ACFWAdvice, Authors and writing, Characters, Conflict/Tension, Friends of ACFW, tips, writing 4 Comments

By Cynthia Herron You might think because I write Heartfelt, Homespun Fiction my story worlds are a delightful Sunday-Go-to-Meeting escape. Well, I can’t fib. That’s somewhat true…to a point. However— As a conscientious writer whose goal is to share a great story, I strive to balance the delightful with reality-based conflict in a heartfelt, homespun way. Today’s readers want meat-and-potatoes stories that resonate. …

Be Dramatic

ACFWAdvice, Authors and writing, Conflict/Tension, Friends of ACFW, Showing/Telling, tips, writing 3 Comments

By Linda W. Yezak Ever read in your own work or others’ about life-changing events that don’t seem to change the character’s life? Usually, it’s because the event isn’t dramatic enough. I can think of two reasons for this: (1) while we write, we are so focused on the action that we forget how the action affects the character, and …