By Rachel Hauck I’ve been using Susan May Warren’s Story Equation (SEQ) for building characters and working out a high-level plot for over a decade. In our early days of writing, as Susie and I talked about our craft, she brought these principles to the table and created The Story Equation. To be clear, there are many good author tools. …
Redemption Arcs
By Diane E. Samson Do you find certain themes popping up in your work? In writing for young adults, themes such as self-discovery, love and acceptance often emerge from the pages. But my favorite is a good redemption story. No matter the genre, if there’s a lost character who finds his way, I’m all in. (I’m looking at you Ebenezer …
A Writer’s Perspective on the Benefits of Chaos, Bedlam and Scandal
By Roxanne Hicks When a younger writer, I hesitated to plunge my characters into perilous events. Like a doting mother, I dressed everyone in clean clothing and admonished them to stay out of the mud. Scandalous outings, unscrupulous friends, and disgusting habits were a taboo. A writing coach asked me, “Where is the excitement or conflict in your story if …
How to Kill Your Characters Without Physicians Cringing
by Jenny Powell MD When I researched for my manuscript about the Apostle Paul, I wanted to know the impact of stones thrown at a body. How did stoning cause death? How far away from a body did someone have to stand to do the most damage? How does the body respond to such repeated insults? Of course, the scientist …
Writing Realistic Villains
By Darlene L. Turner What are the trademarks of a villain? Do they have dark, piercing eyes, a snarly grin, crooked-yellowed teeth, knobby fingers, an evil laugh? Or is there more to it than that? The antagonist can be the hardest character to write but also the most fun. How can we be successful at it? Here are some tips …
A Method for Character Finding
By Scott T. Barnes I’ve heard of a lot of different methods for creating characters. I’ve used extensive character sheets which ask questions both about the physical attributes of the characters, and also about their tics, their family, their psychological underpinnings, their flaws. I’ve read numerous how-to books, taken in-person classes and Zoom classes. I once went to a writer’s …
Your Author Voice, the Writing Rules, and—ACK!—Show vs. Tell
by Rachel Hauck @rachelhauck I’ve been at this writing game for over 30 years. This summer marked my 20th anniversary of writing full-time. Not to brag or anything, (Ha!) but I’ve learned a few things over the years, and top of the list is – I’m still learning! It never ends. As writers, we never stop learning, improving, and defining …
Naming the Baby
by Chandra Lynn Smith Names matter. My name is unique. In my sixty-five years I have met two people with the same name as me and know of a few others. The first person was actually my boss at a job in college and he was from India. Yes, evidently my name is not gender specific in India. The other …
Creating Authentic Cause and Effect
DiAnn Mills @DiAnnMills Bestselling stories explode from powerful emotions that push a character into authentic cause and effect. The process is the backbone of fiction. A character is deeply motivated and commits skills, time, energy, and knowledge to pursue something tangible or intangible. The something is valued, meaning sacrifices are expected. The reader will feel cheated if the character is …
Seven Components Required to Create a Compelling Character
by Rachel Hauck @RachelHauck This August I’ve been writing full time for twenty years. I quit my job—cutting our household income by two-thirds—with one little $2,500 contract and a big deposit of dreams. While other contracts followed, my books didn’t fly off the shelf, win awards, or create buzz at my publisher. In many ways, I had a wrong idea …