By Loretta Eidson To win a race requires planning ahead, seeking out appropriate training methods, pacing yourself, and pressing toward the goal. It takes an inner drive to jump the hurdles of daily obstacles in order to build muscle and stamina. The dream of winning is exciting. But let’s face it—not everyone looks forward to the time and effort it …
Mystery or Suspense – Which is it?
By Gail Gaymer Martin People often ask the difference between a mystery and a suspense, and writers will provide varying answers. Have you ever tried to identify the difference between suspense and mystery? It’s not easy. A mystery is suspenseful, and a suspense is often mysterious with obscure criminals and difficult to understand why. These two genre have things in …
Playing it Safe
Playing it Safe By Katherine Reay Working on my third manuscript seems to be an exercise in conquering fear. Someone told me that my second would be the most difficult, but now that it’s behind me – and it will be to you in October – this third one has me in knots. Now it maybe because the process is …
Define Success
By Jennifer Sienes I am not a published author. Let me repeat that-I am not a published author. Okay, technically, I suppose that’s not true. I’ve had some short stories and an article published. But since the majority of my time is spent on novel writing, that’s truly where my heart is. And it’s taken me quite some time (six …
Writing in the Now
by Jill Elizabeth Nelson When teaching the techniques of Deep Point of View that will virtually squash issues with show/don’t tell, I emphasize the importance of writing lively, linear prose. In other words, every sentence must remain in the Now-not darting ahead or lagging behind in the sequence of events. This does not mean our characters can’t consider past or …
When the Words Won’t Come
by Mary Ellis Every writer whether our contemporaries or long gone has wrestled for hours when they can’t string seven words together into a concise sentence. We doubt ourselves, our mentors, the process we thought we’d perfected, even the quality of beans that went into our cup of java. It happens to the best of us. And it will happen …
Be Your Agent’s Dream Client
by Greg Johnson WordServe Literary Group One thing authors wonder about is how to “behave” once they have a working relationship with a literary agent. Especially if it’s your first agent, you want to be the kind of author an agent wants to keep as a client. Agents understand that—and we want to be the kind of agent you want …
The Secret to Effective Hooks: Write Like a Journalist
by Sandra Bishop MacGregor Literary More than any other element of a pitch, a solid hook offers more opportunity for you to grab – and possibly keep — an agent or editor’s attention. Yes, hooks are hard to nail, but not impossible. Try drawing from a couple simple techniques you learned in high school journalism: Start with the Five W’s …
Pitching in those Agent/Editor Appointments
by Rachelle Gardner Books & Such Literary Agency One thing I’ve noticed lately in fiction pitches – verbal pitches or queries – is that some writers want to tell all about the theme or the emotional journey of the story, but they have a hard time conveying the actual story. Every novel has a theme. There’s a character arc, in …
Talk Your Way Out of a Jam!
by Bonnie S. Calhoun Have you heard novelists say their story was bogged down by inactivity, or that they felt lost in a long drawn out narrative? Well never fear! I have a totally sharp solution…conversation. That’s write (right). Dialogue is considered to be an action element. It can move any plodding exposé into the realm of frantic excitement, or …