When the Words Won’t Come

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by Mary Ellis Every writer whether our contemporaries or long gone has wrestled for hours when they can’t string seven words together into a concise sentence. We doubt ourselves, our mentors, the process we thought we’d perfected, even the quality of beans that went into our cup of java. It happens to the best of us. And it will happen …

A Writer’s Good Friend: Kindle Notes & Highlights

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by Robin Lee Hatcher Recently, a number of writer friends have switched from the use of Kindles to the Nook or stated they are thinking of doing so. They’ve had different reasons for buying a new Nook. Always wanting to stay informed, I decided to do a little research about features and pros and cons to the different devices. No …

Subsidiary Rights

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by Natasha Kern Natasha Kern Literary Agency I’ve been thinking recently about subsidiary rights because I’m going to Anaheim for the RWA conference. Attending RWA includes meeting with clients, editors and new writers and arranging a private lunch for my clients to meet with Amazon execs to discuss ebooks. I’ll also be meeting with film folks. With several films optioned, …

The ROY G BIV Approach

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by Cynthia Ruchti Do they still teach elementary school children the colors of refracted light, rainbow-style, via the ROY G BIV method? Memorizing seven colors in a specific order is tough…until you learn the odd but hard to forget name ROY G BIV: red, orange, yellow, green, blue, indigo, violet. Got it. Forever. Some common misspellings and punctuation glitches that …

Three Steps to Creating an Occupation for Your Characters

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by Cara C. Putman As writers, one of our tasks is finding the right career for your characters. Not only do your characters populate your story, they fill roles and hold jobs. Finding the right career can be a key piece to getting the character to fit. Sometimes when I pick up a novel, it feels like the character’s job …

The Secret to Effective Hooks: Write Like a Journalist

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by Sandra Bishop MacGregor Literary More than any other element of a pitch, a solid hook offers more opportunity for you to grab – and possibly keep — an agent or editor’s attention. Yes, hooks are hard to nail, but not impossible. Try drawing from a couple simple techniques you learned in high school journalism: Start with the Five W’s …