by Rachel Hauck @rachelhauck I’ve been at this writing game for over 30 years. This summer marked my 20th anniversary of writing full-time. Not to brag or anything, (Ha!) but I’ve learned a few things over the years, and top of the list is – I’m still learning! It never ends. As writers, we never stop learning, improving, and defining …
Three Aids to Successful Writing
By Stephanie Prichard Ten years ago, my husband asked if I’d like to write a novel with him. Mind you, this is a man who rarely reads anything other than the Bible. Don’t get me wrong, he loves fiction—but only in the format of movies. What did he know about writing books? I snorted and told him to go ahead …
Be Dramatic
By Linda W. Yezak Ever read in your own work or others’ about life-changing events that don’t seem to change the character’s life? Usually, it’s because the event isn’t dramatic enough. I can think of two reasons for this: (1) while we write, we are so focused on the action that we forget how the action affects the character, and …
Writers and People Who Write
By JPC Allen There is a difference between writers and people who write. One of my favorite writers, Patrick F. McManus, brought this home to me in his humorous essay, “People Who Hunt”, from the book Kerplunk! Mr. McManus writes that hunters and people who hunt are two different species. People who hunt love the sport, but they have other …
Tips for Using the 5 Senses
by Ane Mulligan Sight, sound, smell, touch, and taste create experiential fiction, a story so in-the-moment, the reader hears, smells, and tastes what the characters do. To do that, we want to show the action. Here are some tips for you. Remember to make the descriptions organic to your character. If you protagonist is a musician, her similes will be musical. …
Show Vs Tell Gone Wild
By Ane Mulligan To draw your readers into your story, you want to create an experience for them. But that experience is filtered through your POV character. You know that already? Good. But are you layering the senses into your fiction so the reader hears, sees, smells, tastes, and feels it? It’s actually a matter of “showing vs. telling” gone …
Mirror, Mirror: Using A Character’s Surroundings to Show & Not Tell
By Hannah Conway Show, don’t tell. I’m sure we’ve all heard that before. Some of us may have even rolled our eyes a time or two upon hearing those words from a critique partner, or editor. I may, or may not, have rolled my eyes…no judging. Show. Don’t tell. Um, hello, it’s a novel. We HAVE to tell some things. …