My Research Introduced Me to New Long-Lost Friends

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By Kathryn Haueisen I wrote Mayflower Chronicles: The Tale of Two Cultures as historical fiction so I could create conversations. However, I still wanted it make it as historically accurate as possible. I especially wanted to be faithful to the details of this famous 1620 voyage from the Natives’ perspective. Researching that perspective proved to be much harder than I …

3 Tips to Sort Out Contradictory Research

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by Mesu Andrews On our recent Israel tour, I was reminded that archaeologists and scholars are incredibly smart—but they can’t know everything for certain. Shouldn’t they know where Jesus was crucified and buried? The Christian Conundrum Our Catholic brothers and sisters begin winding their way through Jerusalem along the Via Dolarosa—the Way of the Cross—starting at Herod’s Antonia Fortress. At …

Integrity an Integral Requirement for Historical Fiction

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By Donna Wichelman How many of you read historical fiction and why? I asked this question in an informal survey on Facebook to get a pulse on what makes the genre compelling. Many answers complied with what you would expect: “It makes history come alive; because I love the eras and events surrounding the stories; it transports me to a …

Writing What You Don’t Know—Research

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By Gail Gaymer Martin Writers are so often told ‘write what you know.’ Yet sometimes ideas hit us that encompass things we do not know. This happens to me, and though I always research details in my books even if I have some knowledge, sometimes story ideas are far from my usual story line knowledge. Recently moving from Michigan to …

The Bird and the Worm—Research for Historical Fiction

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By Sarah Sundin When writing historical fiction, we need to research with both the eye of the bird and the eye of the worm. A bird soars high. It sees for miles in all directions and senses what’s happening in many places, but it’s detached from the action. The worm sits in its little spot in the ground, aware of …