By J.A. Marx We fondly call each other critters, and I consider this group of serious writers essential to my writing career. I’m sure online critique groups work well, but I prefer face-to-face. For one, as the facilitator, I like to observe the newbies to ensure they are holding up under the initial shock—reading their story out loud for the …
Awesome Writing Advice to Ignore Completely
By Dana Mentink Advice is worth what you pay for it, as my father would say. Famous writers are brimming with advice. Let’s take the subject of inspiration. Author Frank McCourt said in a Writer’s Digest issue, “Sit and quiet yourself. Luxuriate in a certain memory and the details will come. Let the images flow.” Luxuriate? Frank must not have …
Be Still
By Gabrielle Meyer Recently, I learned that one of the publishers I write for is closing their historical line. It was a blow I didn’t see coming as I watched my well-laid plans crash at my feet. After working for five years to get where I was, it felt like I was back at square one. I’d faced rejection letters …
Five Reasons to Write Flash Fiction
By Leslie DeVooght Six months ago, I had no idea Flash Fiction existed, and much less considered that it could help my writing career. All that changed at the Florida Christian Writers Conference, when I attended Lindsey Brackett’s class on writing Flash Fiction. By the end of the class, I was intrigued. When I got home, I ordered two books …
Self-Editing
by Lynn Hobbs The technique I use on self-editing a novel is different when I self-edit a short story. Seems like it should be the same, right? For many it is. Whatever works best for you is what I recommend. On a short story, I write the first draft, use spell check, and print the pages. I look for repetitive …
Twisting “Write What You Know”
by Gail Gaymer Martin When writers search for plot ideas, seasoned authors often respond write what you know, but I’ve found that this phrase means more than I’d thought. If we stick with what we know, our books could become boring, but one way to write what I know is through experiences. I’ve done this more than once. Being a …
Story First, Novel Second
By Dennis Ricci “Literary talent is commonplace. Storytelling talent is rare.” Robert McKee, the Hollywood story guru who’s trained many of the great filmmakers and screenwriters of our generation, made that statement within the first hour of his Story Seminar, which I attended last March. McKee defined the differences between literary and storytelling talent: Literary: the ability to convert ordinary …
In the Beginning was the Word
By Davalynn Spencer When I landed in the newsroom as a crime-beat reporter, the editor gave me a printout stressing the importance of tight writing. “The Lord’s prayer has 66 words,” the memo said. “The Gettysburg address, 286.” His point: less is more. His example: “Mother’s dead.” Of course journalism is not fiction. At least it’s not supposed to be. …
Being Equipped
By Henry McLaughlin God has a will, or a plan for each of us. Psalm 139:16 (NLT) tells us, You saw me before I was born. Every day of my life was recorded in your book. Every moment was laid out before a single day had passed. Each of us is on this earth for a specific reason. We may …
Pros & Cons – plus a few tips – for Writing a Novel Series
by Deborah Raney The fifth and final book in my Chicory Inn Novels series released recently, and I’m now working on the first book in a new series. Having written mostly stand-alone novels for most of my writing career, this has been an interesting experience and one I’ve learned so much from. First let’s look at the pros and cons …