by Fay Lamb My son was once an accomplished violinist, but when he first started to play, his tutor, a first string with the local symphony orchestra, struggled with keeping him on task. One day my son Corey walked into practice. “Igor, I don’t want to play violin. I want to learn to fiddle.” Igor stood back in his old …
Ten Tips For Better Characterization
by Maureen Lang 1) Realistic, natural dialogue. Like a musician with an ear for notes, be a writer with an ear for conversational rhythm. Read your dialogue aloud to be sure it sounds like what you hear around you-only better! Real life might afford extraneous “ums,” repetitions, and unclear meaning but the written word allows only clarity and tight communication. …
Conflicted Hearts
by Laurie Alice Eakes Recently, a writer asked why conflict so often seemed to be understood as sniping and snarky comments between the hero and heroine. She knew that conflict had to arise from something more than attitudes verging on hostility, but how? I promised her a blog post on the subject. Mind you, this is targeted at romance-oriented stories, …
Writing in the Now
by Jill Elizabeth Nelson When teaching the techniques of Deep Point of View that will virtually squash issues with show/don’t tell, I emphasize the importance of writing lively, linear prose. In other words, every sentence must remain in the Now-not darting ahead or lagging behind in the sequence of events. This does not mean our characters can’t consider past or …
Writing … Interrupted
by Beth K. Vogt I had another post written for today. The opening line? There’s always a reason – or two or three – not to write. I intended to blog about writing through the interruptions of life – and then the Waldo Canyon Fire erupted in the Foothills several miles from my neighborhood and my family evacuated our home. …