Conflicted Hearts

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by Laurie Alice Eakes Recently, a writer asked why conflict so often seemed to be understood as sniping and snarky comments between the hero and heroine. She knew that conflict had to arise from something more than attitudes verging on hostility, but how? I promised her a blog post on the subject. Mind you, this is targeted at romance-oriented stories, …

Writing in the Now

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by Jill Elizabeth Nelson When teaching the techniques of Deep Point of View that will virtually squash issues with show/don’t tell, I emphasize the importance of writing lively, linear prose. In other words, every sentence must remain in the Now-not darting ahead or lagging behind in the sequence of events. This does not mean our characters can’t consider past or …