By Judy Christie As a writer, I am drawn to creative people-smart, funny, interesting, innovative, imaginative. I am blessed to interact with fiction writers who explore and imagine and adapt to a dizzying rate of change, a combination that clogs schedules faster than a plateful of spaghetti can clog a drain (don’t ask how I know this). Sometimes we writers …
ACFW Rewind: Stop, Drop & Roll – Adding the Crisis Scene
(Editor’s Note: Today, ACFW re-runs a worthwhile blog from the past, in this case from May 2012. This is what we call ACFW Rewind: highlighting previous posts that deserve a second look.) by Janice Thompson You’re at the 3/4 point in your novel and facing that all-important crisis scene. The Supreme Ordeal. The Black Moment. The Big Gloom. You know …
Pass It On
by Susan Lyttek Writing can be a lonely business. With exceptions of co-authored materials or group brainstorming, most writing and editing is done solo. That is the nature of it and that is a good thing. God designed the process with the authors and researchers of the Holy Scripture. The quiet aloneness takes us out of the immediacy of the …
The Fragrance of Fiction
By Carol Lerner I’ve been reading all kinds of fiction lately. This is a good thing, as for years I’ve had difficulty finding fiction that kept my interest. I’ve finally figured out what makes me stick with a story-it’s the overall aura, the “feeling” the words evoke, or, as I like to say, the fragrance. It’s that which moves something …
Three Magic Phrases for a Writer
by Richard Mabry Early in my road to writing, author and teacher Alton Gansky taught me to ask a magic question: “What if?” One of his books began when he noted the presence of a military installation in a deserted location and asked himself, “What if that base suddenly disappeared?” The result was an excellent book. And it began with …
Making Research Fun
By Donna Schlachter I’ve seen the way some authors’ eyes nearly roll up into their heads at the word, “research”. After all, that’s just dry, boring stuff. We’re always told to ‘write what we know’. If we have to research a topic, we aren’t writing what we know. I used to write what I knew. My first yet-unpublished novel was …
Writing for “The One”
By Kariss Lynch Every Tuesday night, three thousand young adults across Dallas come for a little get together we call The Porch. For three years now, I’ve volunteered, entering the worship center to fulfill my assigned task of shepherding people to seats and hopefully to a closer relationship with the Lord. Those of us who volunteer have a saying, a …
Writing Effective Book Club Discussion Questions
By Sarah Sundin Book clubs. As readers, we delight in socializing with book-lovers. As writers, we delight in connecting with avid readers. Since I belonged to a book club long before I was published, I knew the importance of a good set of discussion questions. While some groups fall naturally into discussion, some don’t, and good questions stimulate conversation. I …
Breaking the Rules
by Laura McClellan Any novelist who studies craft reads a lot about the rules: Show, don’t tell. Avoid adverbs. No head-hopping. These rules have developed to help us create fiction that welcomes the reader in, with no barriers to the reader’s participation in the story. I recently reread Francine Rivers’s Redeeming Love, one of my favorite novels ever. The characters …
Real Civil War Spies
by Mary Ellis While researching my latest romance, The Lady and the Officer, I discovered several real-life spies whose lives provided plenty of inspiration. Probably the most famous Confederate spy was Belle Boyd. At 17, Belle was arrested for shooting a Union soldier who had broken into the family’s home. Though Union officers cleared her of all charges, they watched …