By Winnie Griggs The stories you write undoubtedly have casts of varying numbers, descriptions and personalities. And while every character in your manuscript works together to tell your story, they each perform a different function depending on the roles you assign them. In fiction there are four tiers of characters. These are: • Primary Characters • Secondary Characters • Bit …
The Art of Fighting and Making Up with Fake People
By Melissa Tagg Several weeks ago I turned in the rewrites on my third book. If I were to describe the process of writing From the Start, um, I might slip into slight melodramatic territory. Or I’d straight up tell you it’s the hardest thing I’ve ever written. Which is the truth, no matter how drama queen-ish it sounds. I …
Listening to the Story
By Jane Kirkpatrick Some years ago I wrote a novel based on the life of a Native American woman. I’d worked for many years on an Indian reservation and had many native friends who helped me capture the essence of this woman. The book received fine reviews and I spent a fair amount of time doing newspaper and radio interviews. …
Playing it Safe
Playing it Safe By Katherine Reay Working on my third manuscript seems to be an exercise in conquering fear. Someone told me that my second would be the most difficult, but now that it’s behind me – and it will be to you in October – this third one has me in knots. Now it maybe because the process is …
Top Ten Things I Learned about Business Success from Binging on Real Housewives
by Traci Tyne Hilton When I have a hard time getting words on the page, I don’t make the wisest decisions. That said, I’ve watched a lot of the Real Housewives of Everywhere this summer. And you know what? I’ve learned an awful lot about how to succeed in business! 10. Don’t be afraid to look foolish. The Real Housewives …
Who Knows What When
by Cathy Gohlke Access to information affects the motivations, actions, and consequences borne by every character we create. This truth came boldly home to me while writing Saving Amelie, a story set in Nazi Germany during 1939 and 1940. In writing about a society controlled and censored by a dictatorship and rife with propaganda, it was difficult-sometimes overwhelming-to determine who …
Hero or Villain?
by MaryAnn Diorio, PhD, MFA I have a friend who writes cozy mysteries. Her favorite quip when she gets annoyed with someone is to say, “Be careful. I may put you in my next novel.” My friend’s comment provokes some interesting philosophical questions: • If my friend were to put me in her novel, what kind of character would I …
Keeping Your Hero Honest
by Rebecca DeMarino In writing fiction, you need a strong MC and if you are writing romance you will need two, and one of them better be a hero. Readers of romance want their heroes to not only be strong, but handsome, loveable and yes, heroic. And if it’s Christian fiction our hero better be strong in his faith, if …
Suspension of Disbelief: A Writer’s Goal
By Ane Mulligan Jim Rubart wrote a good piece for Novel Rocket about how authors write. He said: “I continue to read traditionally published books where I think the novelist is wasting words and keeping the reader from going deeper into the POV of the protagonist. Here’s what I mean: I frequently see sentences such as this: ‘He could hear …
The Power of Opposites
by Allie Pleiter The best romances usually pair two people who don’t seem suited for each other. Engaged readers figure out that a hero and heroine are surprisingly perfect for each other-long before the characters do if I’ve done my job right. It’s great fun to watch a heroine realize that the oh-so-irritating fellow in her life is actually the …